Silence Kills by Silence Kills (As Reviewed on January 27th, 2016)
Artist Bio
Where are you from?
Silence Kills comes from Muravera, a little (5000
people) town in South Sardinia (Italy), both near to the sea and to the
mountains.
Who are the band members?
I am the only band member and I composed/written,
played, recorded and produced every track of Silence Kills. My name is Mario
Inghes, I'm an Italian producer and multi-instrumentalist. I was born in 1989
and started play the guitar at the age of six. Growing up I've got the luck to
experience synthesizers and computers and to start soon composing simple stuff.
I'm self-taught.
How long the band has been
together?
Since I'm the only band member, the band has been
together since 1989 :-) ...Well, I always wished a soloist project to create
and play this kind of genre, but I really started composing for Silence Kills
in 2014.
Did any members of the
band work in bands before?
I played in lots of band and had the luck to know
many musicians more skilled than me, wherewith I used to play. The most
important collaboration I had is with «Restless Dream» (A great composer from
Rome), she influenced a lot my way of thinking and listening to music and life.
From 2010 to 2012 I worked in a recording studio as soloist guitarist, learning
lots of stuff about music production and sound manipulation. From 2012 I
founded SDV, an industrial rock band of which I am the producer, composer,
arranger and guitarist, while Kat D'Amon writes lyrics and sings. We did two
albums, but actually only one has been published. It's called «V.I.T.R.I.O.L.»
and is on iTunes and BandCamp.
Where was the album made?
The album Silence Kills was entirely made in my
home studio, in Muravera. Every instrument is recorded inside there, every
«strange» sound too. Didn't use any loops or ready-stuff: I made everything on
my own since I wanted this album could sound very unique, so everything is done
at home. I hope to have reached this goal, for me but especially for my
listeners since I do what I do for them.
Who produced the album?
The album was entirely written/composed, played,
arranged, recorded and produced by me.
Who are your influences?
I started playing the guitar when I was six, after
listening to The Queen. I loved Brian May and the unbelievable sounds that he
can bring out from his Red Special! It's my first love and I will never forget
it. Then started listening to many other both famous and not famous artists,
but those who had really influenced me are «Afterhours», «Marilyn Manson»,
«Massive Attack» and «Nine Inch Nails»: a big wish of mine is to know Trent
Reznor, one day.
What was the message or
goal for this album?
Well, it's a mission: music is important, music
has got a huge magic power, I strongly believe that listening to music can
really make things better in our life. Music is taking all my time and my life,
and people like what I do not because «I am great», but just because what I do
is made with soul, so the message for this album is the album itself, the
message is exactly this: «feel your soul, act with your soul, talk to your
soul, be your soul, put yourself in things you are doing».
Do you plan on touring to
promote this album?
I still didn't plan on touring to promote this
album, and I am not interested in doing live shows, since I created music that
is good to meditate, to make love, to relax, to read books, to think... So I
believe that the best way for people who wants to listen to this album is to
listen to it quietly, at home, alone or with a partner.
What are your goals for
the future?
I am a very simple person, I just want to be able
to continue to make music, because I love it. But music takes all my time, so I
need to live with it, I need to get money from what I do. I don't know how it
can happen, I am not really sure, but I suppose that it is possible only if
many, many, many people listen to what I do, so... Maybe could be a good goal
the one of starting to license my music for movies, etc. It would be great!
Where can people buy your
music?
My releases are available only at:
http://silencekillsofficial.bandcamp.com but soon you can get them from iTunes,
or wherever digital music is sold.
Silence Kills starts off with a slow yet powerful
ambient melody which really sets the tone for the rest of the album. When I listened to this CD it was as if I was
going through the story of someone with a sad tale to tell. Even the song titles reveal, perhaps, the
outline of the story. The first tracks,
After You, Endless, and Claire, feel a though there was a loss or pain to this
story. And then the bridge sets in.
Now, the bridge felt a bit out of place for this
album, until I went back and listened to it again, placing it with the imagined
story that I had created in my mind. I
could be wrong, but the Bridge sounds like it is playing backwards, perhaps the
“narrator” of this perceived story is realizing that things are not as bad as
they seem, or that he is pondering something else about life. I do know that
the Bridge is there for a reason, but perhaps not the one that I am thinking.
After the bridge, the story seems to go more in
depth with the tracks Giving my best for Nothing, Failed, To Myself and the
title track, Silence Kills. These songs
are still in that depth of calm melody which gives way to very deep thinking.
Then comes the point where most of us get at one point or another with the
track entitled Insanity. This was my
favorite track on the album. It was the
only one with any vocals at all, and even those were minimal. That is absolutely okay in my opinion. This CD does not need vocals to portray the
feelings that it brings about. Insanity conveys
the perfect combination of melody and hints of industrial pieces of ear candy
that are as pleasing to the soul as they are to the ears.
Silence Kills ends with the tracks Hope is
Useless, A Better Man and Drunk. Better
Man gives me the impression of just that.
That the narrator in this story has come to realize that he is better
than he gave himself credit for and the powerful guitar near the end of this
track perfectly punctuates that image.
Each of the tracks on Silence Kills reflects a
mastery of emotion combined with a story-telling that will unfold differently
for every listener. This album has the
ability to bring out some very raw feelings within the listener which again
will be different for each. Silence
Kills reminds me of a more industrial Tangerine Dream mixed with touches of
Nine Inch Nails. Mario’s use of acoustic instruments set against electronic
synthesizers is gorgeously blended and makes this an album that I can and will
listen to over and over again. It is a powerful, ambient journey though the
mind.
I wish Mario and Silence Kills all the luck in the
world with this and future albums! And
Mario, when you put out another album, I want to know about it!
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